‘Ever Crashing’, the second LP by Kennedy Ashlyn aka SRSQ [pronounced ‘seer-skew’], has been confirmed for release on August 19 on Dais.
The album is the summation of a nearly three-year journey of soul searching, song-writing, and self-discovery. Every song hits like a single, heaving with guitar, synth, strings, live drums, and oceans of Ashlyn’s captivating voice, balletic and illuminated. The tracks gleam with detail, often assembled from as many as 100 separate tracks, all of which were written and played solely by Ashlyn – a feat of world-building as daunting as it is devastating.
The album began materializing in the wake of an ADHD and bipolar disorder diagnosis, prompting a profound personal overhaul. Ashlyn cites such periods of turmoil as a muse of sorts, when “songs begin to echo within me,” gradually reverberating clearer and more vividly. As melodies and arrangements come into focus, the songs act like containers, vessels in which to externalize and exorcize tumultuous emotions.
“‘Saved For Summer’ echoes the yearning to escape a depressive miasma, the desperate desire to stop watching life through a window,” Ashlyn reveals of ‘Ever Crashing’s stunning lead single, which is online today and accompanied by a self-directed, produced and edited video. “The video takes place in the psychedelic haze of isolation and stagnation, of being suspended in the grasp of a downward spiral, longing for liberation. At its core burns a tepid hope that ‘real’ life remains within reach.”
“I became myself in the process of making this record.” From the first choral swells of opener “It Always Rains,” it’s clear this collection exists on an ascendent plane, capturing an artist in superbloom. From swooning end credits balladry (“Dead Loss”) to orchestral slow-burn torch songs (“Abyss”) to dizzying shoegaze heavens (“Someday I will Bask In The Sun”), the album exudes a sense of aching grandeur and bewildered joy, rich with triumphs hard won and lost loves never forgotten.
Melodies pirouette and crescendo in dazzling, elevated acrobatics, somewhere between Kate Bush and The Sundays, threaded with ethereal undercurrents of shimmering shadow. Riffs brood and sparkle over crystalline synths, buoyant bass, and patient percussion, steadily building to holy moments of tidal power, finessed to perfection by producer Chris Coady (Beach House, Slowdive, Zola Jesus). Ashlyn’s is a dream-pop of questing catharsis, vulnerable but orchestral, as dense with hooks as heartbreak.
The album’s title refers to Ashlyn’s recurring sensation of being trapped in the crest of a wave, turned and churned in the surf, mirroring the cycles of self-flagellation and surrender that she battles being bipolar. But as the poetic raptures of these songs attest, her creative process thrives at transmuting trauma into potent music of arresting beauty and hidden divinity.
‘Ever Crashing’ is an aching, rare work, shaded with gradients of reverie and regret, loss and letting go, “mourning the person I thought I should be, mourning the person I never was.” But even in its pain, Ashlyn’s voice exerts a redemptive gravity, yearning to transform and transcend: “Even on the inside / I’m bracing for impact / I’m waiting to destroy my life / To become sunlight.”
SRSQ live dates:
(Co-headling with RIKI)
May 13: Jun Darmstadt – Oetinger Villa
May 14: Jena – Cafe Wagner
May 15: Prague – Underdogs
May 16: Lodz – DOM
May 17: Warsaw – Poglos
May 18: Gdansk – Drizzly Grizzly
May 19: Berlin – Urban Spree
May 20: Cologne – Blue Shell
May 22: Utrecht – Db’s
May 24: London – Moth Club
May 25: Manchester – White Hotel
May 26: Glasgow – Audio
May 27: Liverpool – “Kazimier Stockroom “
May 28: Bristol – Strange Brew
May 30: Paris – L’international
May 31: Freiburg – Slow Club
Jun 01: Munich – Rote Sonne
Jun 02: Wien – Kramladen
Jun 03: Leipzig – Wave Gotik Treffen